Alysha Castonguay Topless Photos Ignite Controversy

I have taken some Pix in the last months – please tell me when you like them:

Fliegende Fische auf dem Weg ins Parkhaus by Henning Onken

When friends and guests first enter your home, what is the first room they see? Most likely it's a foyer or front entryway. Making your foyer friendly and inviting will give your guests a pleasant welcome, and be a refreshing room for your to enter when returning home. Since foyers are generally a small area, it is best to keep your decorations to one theme. My personal favorite is to decorate the foyer in your home with personal family photos.

Types of Foyers
If your foyer has several doorways, or windows, try decorating the space with small, slender tables, topped with a variety of family photos.

If your foyer has at least one wall that is wider than the doorways, try making a photo collage arrangement on that wall. Then, accent that main wall with a small arrangement of photos on the other smaller spaces between doorways.

What Photos Do I Choose?
When selecting the photos to put on display, you have several options.

You could choose to decorate your foyer with all candid photos of family, friends and children being active. This would be a great time to display babies destroying birthday cakes, dad showing off the big catch or your puppy playfully discovering the backyard.

Or, you could opt for all the professional family portraits that you have gathered over the years. People love to stop and gaze at how people have changed through the years, and we all have spare school pictures in a drawer somewhere! This is also a great opportunity to display those old photographs of great-great grandparents.

If you have a lot of photographs, you may want to make a seasonal display. How fun is it to look back at old Christmas pictures while the holiday is approaching? As we anticipate Spring, fill your foyer with pictures of bright flowers and lush landscapes. If you're planning a birthday party, fill your foyer with pictures of the birthday person!

If you have just been on a vacation, show off the highlights of your trip by decorating your foyer with enlargements of your vacation photos. Sunsets, scenery, landscapes and candid moments will allow you to re-live the trip each time you enter your home.

Another fun way to decorate your foyer with family photographs is to have your favorite photos reprinted in black and white or sepia brown-tone, and just display monochromatic photographs!

If you have a home photo printer and some basic photo editing software on your computer, you can easily reprint your favorite digital photographs in black and white or sepia brown-tone. Most photo editing programs have a one button option for these fun features.

What Type of Picture Frames Should I Use?
When decorating your foyer, plan to use frames that will accentuate your wall color and floor covering. When in doubt, wooden frames that accent furniture that is visible nearby will look great. Solid black frames are always classic, and match most decor, too. If you choose to go with a holiday theme, you may want to choose decorative frames that accentuate the holiday season.

No matter what theme, frame or design style you choose for your foyer, you will surely be welcomed each time you step into your home and see warm inviting memories staring back at you.

LAS VEGAS WEDDING PHOTOGRAPHER VIDEO 702-581-7017

Posted: On July 13, 2010 at 9:46 pm

LAS VEGAS WEDDING PHOTOGRAPHER VIDEO 702-581-7017

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So we met our wonderful couple Giselle and Mike at the Hard Rock in Hollywood!! A little nervous and unsure how things would go, Favio and I assured them they would do great. They did not disappoint… Oh my… first of all, love just oozes from both of them. I felt like a spectator to a love story unfolding before my eyes and my main concern was to capture their love!!! Nervousness obviously went out the window and they just enjoyed each other. We had an AMAZING time getting to know you guys and just laughing with you!!!

We are sooooo excited for your wedding in October!! I know it will be a blast!

Thank you guys for an amazing evening and for the present you sent us (last photo). You had me at chocolate covered strawberries, YUM!!!

Here are just a few of about 250!! I LOVE my couples!!!

Xoxo

Today, we're highlighting Todd Van Fleet – an outstanding photographer who is participating in The Big Picture – where great agencies and great photographers connect.

In Lander, Wyoming , a small town nestled in the middle of the Wind River Mountains there is no shortage of awe inspiring vistas and breathtakingly beautiful scenery to capture and entice an artist's eye. However, back in the 1980s, there was a shortage of art programs and support for a young Todd Van Fleet, who, even at the age of 8 or 9 knew he wanted to be an artist. But, that shortage did not stop Todd. Nor did that stop his parents from encouraging and supporting him. Whether it was drawing, painting or taking really bad pictures with his dad's old Pentax camera, Todd was driven to express his artistic impulses.

By the time Todd was a teenager, he was satisfying his artistic spirit by taking every elective art class available in his high school. He even appointed himself the sports photographer for the school newspaper. “Because there weren't any classes available, I literally taught myself how to use a 35mm camera on the field and even how to use the darkroom,” he remembers.

Todd was ambitious and serious enough about art that he decided to enter his paintings and drawings in Wyoming's annual State Art Symposium, an event that showcased the best of the state's young art talent. From there he was offered three portfolio scholarships to art schools. He chose the Rocky Mountain College of Art and Design and moved to Denver in 1994. “Everything was my passion,” he says. Airbrush, drawing, painting in oils, illustration, photography.”

Since getting his Bachelor of Fine Arts in Illustration from the Rocky Mountain College of Art & Design in 1998 Todd has been a freelance artist, creative director and photographer. Today he focuses on his “vintage bicycle portraits” based out of Denver, CO. Todd's work is a direct reflection of his love for everything that he sees a bicycle is; freedom, innovation, ingenuity, simplicity and the wind in your face feeling like a young kid again.

Todd's favorite thing to do is spend time with his wife and two daughters. Quite often they organize cruiser bike rides with their friends and community.

As of October 2009, Todd has been asked to serve as the photo editor for Kickstand Magazine. As you can imagine it is quite the appropriate fit.

As part of The Big Picture, Todd will shoot complimentary headshots of your agency's principals or workspace – allowing you to get to know him and how he works. The trade-off is that if you like his style, you'll use him for upcoming paid work.

To see more of Todd's work, or to contact him about an assignment for The Big Picture, check out his websites here or here.

If you're a photographer who would like to participate in The Big Picture, simply drop us a line and let us know.

In the first incident last March, he was actually tackled by an officer who supposedly was later disciplined.

You can hear that incident in the audio recording he made that demonstrates that although he is an aspiring pilot, he would make one hell of a lawyer.

The assault takes place in the first clip. The second clip captures the aftermath, including a moment when a cop tells Vorus he needs to “stop hiding behind the Constitution.”

In the latest incident earlier this month – which was covered by NBC Washington and might be covered by The Washington Post -  he came across a few cop cars making a traffic stop and snapped a few photos.

A male cop demanded to know what he was doing. He asked if he was being detained. The cop hemmed and hawed and told him no, he was not being detained. That he was free to go.

“As I was walking away, two other units pulled up,” he said in a phone interview with Photography is Not a Crime.

A female officer then stepped out and demanded his identification. He asked again if he was being detained. He also started recording the conversation.

“I notified her that I was only required to provide her with ID if I was suspected of a crime,” he said.

“She said, ‘yes, you’re being detained.’ I said, ‘now that we’ve established I’m being detained, here is my ID,’.”

The officer, who was under the impression that it was illegal to photograph police in public, then checked to see if he had any warrants against him. She also said it was illegal for him to audio record her, which he was doing openly.

Neither is illegal in Washington DC.

Meanwhile, the first cop was telling him that he was free to leave. Both officers were of equal rank.

Vorus asked for a supervisor, which only complicated matters.

“A sergeant arrived and told me I could not take pictures without permission,” he said.

A friend of his then arrived at the scene and tried correcting the officers by informing them that he, in fact, did not need permission to take their photos.

“Then they started asking for her ID,” he said.

But she knew better than to provide her identification.

He was eventually released after almost 30 minutes.

A few days later, Vorus spoke to a Sgt. Mercer at the police department to file a complaint.

“He said those officers were incorrect and that anyone can take pictures on public property,” he said. “He also told me he would speak to the officers to get their side of the story.

“It was Tuesday and he told me to call him back on Wednesday.”

Vorus called back on Thursday and surprise, surprise, the sergeant was no longer so cooperative.

“He now had an attitude. He said the officers told him I was taking pictures of inside the police cars. I told him all the pictures I took are posted on my blog.”

Not that it should have made a difference. As long as he is not physically entering the police cars, he has every right to photograph whatever can be seen from the outside. If the cops don’t like it, let them tint their windows.

The First Incident

Vorus was hoping to take photos of airplanes at Ronald Reagan Washington National Airport in Arlington, Va.

It was March 1st and Vorus contacted the airport’s media relations department to inquire about its photo policy. He spoke to a Tara Hamilton.

We talked about me taking photos at the airport check-in kiosk for the airlines since that was private property leased by the airport, she notified me that I would need to ask their station managers. She also told me that she would notify TSA and Airport Police of my presence.

It wasn’t long before he was approached by Transportation Security Administration officials inquiring about his photography. The first two times, the TSA officials were in uniform. He told them he had permission and they did not push the matter further.

But then he was approached by two men in suits who told him he was not allowed to photograph “TSA checkpoints or TSA personnel.”

“They said they were in law enforcement. I asked them to show me a badge,” he said.

One of the men told him, “we ain’t going to show you shit.”

They eventually pulled out Homeland Security credentials.

Vorus began recording the conversation. He then snapped some photos of the men.

Then he walked away after being informed he wasn’t being detained.

But then one of the Homeland Security officers beckoned a uniformed Metropolitan Washington Airport Police officer who was on a bicycle, telling him him that Vorus was being “combative.”

In cop talk, combative is anytime you question their authority. It’s the equivalent of contempt of cop. The only difference is, the word “combative” written on a police report gives them the justification of beating your head in.

So Vorus got into a discussion with the police officer, whose name turned out to be Corporal King.

I asked him “was I being detained” after 2 minutes of his hostility, and he did not respond. I then asked a couple more times. He stated no, I then asked him was I free to leave he also said no, I then followed up with well then I am being detained.  He asked me for identification. I asked one more time was I being detained. NOTE: “By this point I am extremely frustrated. I was verbally abused by two TSA employees and accosted by an Airport Police Officer.”  Officer King stated that if I did not provide proper Identification, I would need to leave the airport. I decided at this point I would depart from the airport.

As he was walking away, Vorus turned around and snapped a photo of King and another officer who had joined him.

This caused King to become combative, to say the least.

I was told by other officers that I was being detained as a suspicious person. When it was confirmed that I had been detained, relinquished a VA Driver License. I then was told that I would be taken to jail at least for disorderly conduct.

Officers came, examined the images that were stored on my camera’s memory card. I was told to delete the images of TSA personnel and airport personnel. I was released twenty minutes later. I was told that I was being detained for suspicious behavior, but I was never searched.

When I took a picture of Officer King he jumped off of his bicycle and said “your ass ain’t gonna take a picture of me” and tackled me.  I yelled “ that is assault, get off of me”. He grabbed the camera that was around my neck and walked away. The female officer yelled and motioned for me to sit on stairs that were to our left, two more officers came and yelled for me to sit down. One officer had a M-4 assault rifle.

The cops ended up deleting his images, which he was unable to recover, before sending him on his way.

He ended up filing a complaint against King and learned that the officer had “violated departmental policy” and “appropriate action has been taken” but wasn’t told any details, which probably means King was simply told not to tackle anybody when it was obvious he was being recorded.

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Game Review: Foto Showdown

I have taken some Photos in the last days – please tell me if you think they are good:

Rosen - Auch schön by roba66

{Homepage über Breakless Bikes

A wedding is the first most memorable event in a couple's life. It's the joining of the partnership. To share your wedding experience with photo wedding announcements is a great idea. You are sharing the celebration of your love. This way you can send an announcement to those who couldn't participate in the wedding as well as sending an announcement as a souvenir of your guests' participation in the celebration. Everyone will appreciate the sentiment.

A list of websites for photo wedding announcements include: Classy Announcements, Shutterfly, and Fun Foto Invitations. These websites also do photo wedding invitations. Don't forget bridal shower invitations, birth announcements, baby shower invitations, and all these can be with or without personalized photos.

Hopefully, you will only be married once and it will be a moment you will want to remember forever. It will also be a moment you will want to share. The possibilities are endless. Vista Print does announcements for 40 cents each. You have to order in groups of 10 but that is extremely reasonable when you are comparing prices. Vista Print not only does photo wedding announcements but they also accommodate almost every printing need. They also have wedding announcements without the photo and announcements and invitations both ways for wedding, bridal showers, birth announcements, and baby shower invitations. Photo Affections has wedding announcements for as low as $1.39. This website is hosting a sale right now. You put your wedding information in to the appropriate boxes and add your favorite photo and in two days you can view your proof. For 20 cents extra they will imprint your return address. This was the most inexpensive yet professional looking announcements website I found for photo wedding announcements.

You can also make your own photo wedding announcements if you're savvy with your computer. This is a great idea because it's so much more personalized and it shows your creativity. This is also a wonderful idea because you can personalize the ones you want to go to whom. If you had guests there that were in the pictures a nice touch would be to send them a wedding announcement with your picture as the main attraction and a picture of them participating in the wedding. Sometimes we forget the things we did. Photos are a great way to remember and your personalization will be greatly appreciated. The day was still about you but it's good to share the memories.

do you really need one? The short answer is yes. The long answer is….

A reflector, as the name implies, is something that reflects light. In photography, is it usually a big sheet of something white, silver or gold, that bounces light at your subject (or at anything you want light on for that matter).

If you are not to particular about having your reflector look all nice and nifty are plenty of DIY options here, and basically any flat surface will do. Foam boards, bed sheets, aluminum covered plywood, did I say any big surface yet?

What Can I do With a Reflector?

While a reflector does not solve all the problems known to mankind, it is a versatile tool that can assist both in the studio and on location. At occasions it is easier to deal with a reflector than with an additional light source, especially if you wanna go guerrilla.

Reflectors are great as they “travel light” and need no power.

Dueling With The Sun

In this picture, we had harsh sun backlight. A golden reflector came in to the rescue for filling face shadows. This is a scenario where adding an extra light source can be kind of tricky, and a situation where a reflector shines (no pan intended).

The light coming from a reflector usually relates to the light source it reflects. This means that you usually have enough “power” bouncing off of it. No power tweaking is needed.

Reducing Shadows In A One-Light-Source Scenario

If you only have one light, a reflector can serve as a fill. And it takes on some of the qualities of an additional light source. By bouncing the flash back at your subject. In this case the light source is a big square softbox, and the reflector is a 5 in one disc with the white cover. This creates a nice diffused fill.

When we were doing the lighting modifiers cheat sheet we actually took each image twice, with a single light source and then with a huge foam board reflector. Here is a little comparison chart.

Reflector Qualities

Size: As with any light source the size of the reflector in relations to the subject will be a significant contributor to the light quality. As a generalization, you can say, that the bigger the reflector, the softer the light it produces.

Color: The color of the reflector will impact two light attributes: light color and light softness. Lets starts with color, since it is the more trivial one. A white reflector will have almost no impact on the light. What goes in, bounces off and comes out. A gold reflector will warm up your tones, while a silver reflector will cool them down. There is a cheat sheet that shows all that stuff here.

Surprisingly the color will also have an impact on how hard or soft the light is. Light bouncing of a white reflector will behave as if the reflector is a second light source the size of the reflector (let's say it is a very shiny white for the sake of simplicity). This is because the light bounces in a very diffused way. 

It may seem counter intuitive, but light bouncing of silver or golden reflectors will be harder. This is because the light behaves more like it is reflecting in a mirror. There is a very good explanation for this in Light: Science and Magic (a must read for any light oriented photographer).

Shape: this is the last of the factors that contributes to the quality of the light. some of the reflectors can be bent to focus or diffuse the light. This can help if you want to narrow or widen the light coming off the reflector. While this is possible with some of the reflectors, it is impossible to do with a foam board.

When Reflectors Are Not The Optimal Solution

This may sound trivial, but I thought it is worth mentioning, reflectors can only reflect, they are useless as a single light source.

Reflectors are also not very good when it comes to controlling spill. You can not mount a snoot or a grid on a reflector. and while you can opt for smaller and smaller reflectors, it is really easier to use a flash or strobe covered with snoot or grid.

Where Can I Get One And How Much Do They Cost?

The good news is that you probably already own a reflector. A white T can serve as a reflector, and so will a pillow cover or a white bed sheet, assuming you have a way to stretch and stabilize them. Cost here (assuming you have one of those items @home) is 0.

Next in line is the foam board. A foam boar is basically a sheet of foam trapped between two sheets of paper. That gives the foam some sturdiness, and it feels kinda like plywood only weighs very little. You can get those pretty much any size you want. and they are very cheap. On the negative side is that they don't bend or roll for storage and travel.

Foam boards can also be coated with aluminum foil to create a 2-in-1 silver/white reflector.

If you have a car, you are probably familiar with the Sun shield. They come in both foldable and collapsible forms and are usually silver reflective. If you take the foldable type, make sure you get the bubbly kind. it will help reflect the light in a more diffused pattern.

For the “store bought”-unmodded equipment there is the standard 5-in-1 reflector (which along with foam boards is my favorite reflector). It is a collapsible disc with a coat. The coat has 5 colors: white, black, silver, translucent (which is more a diffuser) and gold. Those will cover any reflecting need and can easily be carried in a bag. This is one of my favorite items in the bag and I use it a lot on sunny days.

At the high end there is the California sun bounce line of products. Those are used by pros and “high end amateurs”. They cost a nice arm and a leg but are very sturdy and fold really nice. I have never used one of those before. So I can only tell from the experience of others. If the price tag is too high for you, you can try a DIY version instead.

PR Log (Press Release)
Jun 03, 2010 – Santa Barbara based photographer, Whitney Elizabeth, spent ten days in April in Port au Prince, Haiti, photographing and documenting the days of volunteer doctors and nurses from the organization, New Reality International.  Whitney was able to capture poignant interactions through her photographs, and would like to encourage continued awareness towards the relief efforts in Haiti.

Even though media attention has waned, the relief efforts are ongoing in Haiti.  The group of 15 doctors, surgeons and nurses that Whitney accompanied saw 2,000 patients in mobile clinics in the nine days that were spent in Haiti. The group performed 43 surgeries during their stay in a Haitian medical clinic 40 miles east of Port au Prince.

Whitney was able to photograph the clinics, surgeries, the emerging tent cities, as well as candid shots of the people of Haiti.  To see more of her work, view her blog: http://www.whitneyelizabethphoto.com/blog/haiti

(Please email for permissions to use the photographs).

Whitney says of the experience, “It was the most incredible nine days of my life and I hope that my photographs will bring much needed attention to relief efforts for Haiti as the people are still struggling, especially with the rainy season upon them.”

After spending ten life changing days in Haiti, Whitney would like to spread the word across Santa Barbara that the relief effort is ongoing.  Tents, medical supplies, eye glasses and financial donations can be donated through http://www.newrealityinternational.org or through Whitney at  whitneywhitneyelizabehtphotocom.

Whitney Elizabeth is a wedding and fine art portrait photographer here in Santa Barbara, CA and in her home town of Charlotte, NC.  For more information about Whitney, please visit http://www.whitneyelizabethphoto.com.  To set up an interview with Whitney, please contact Jennifer Neisse at 805-450-2541 or jneisse@gmail.com.

A self-portrait by British photographer Brian Duffy, 1968. (Photo by Duffy/Getty Images)

It’s with much sadness that we received news yesterday that photographer Brian Duffy (1933-2010) has died. Although unwell for some time his passing was nonetheless unexpected, and comes just as his body of work was beginning to enjoy a re-appraisal and return to the spotlight it deserves.  There is much that can be written about Duffy: how he helped shape our image of swinging London in the 60’s, how along with David Bailey and Terence Donovan he trail blazed and helped change the face of magazine photography, and there will be rightly much talk of that in the obits.

On a personal note, over the last 18 months  I was lucky enough to have worked with Duffy’s archive, and had the opportunity to edit work that hasn’t seen the light of day for decades. Uncovering shoots with the movers and shakers of  London in it’s swinging heyday was quite simply the picture editors holy grail.

I met Duffy for the first time at our London gallery when he came in to see if he ‘could do business’ with Getty Images. Thankfully it turned out he could, but not before he gave me the grilling of a lifetime in which time his conversation turned from photographing horse droppings  (in not so many words) to why he never got punched using a Rolleiflex. And going through his negs in the subsequent weeks and months (those negs which survived the burning his archives in 1979) to me they spoke volumes about the man; artful, difficult, baffling, irreverent,  insightful,  charming and quite unique. The sad loss of a true great indeed.

Take a look back at the man himself and the incredible imagery he created.

Tags: Archive, Brian Duffy, London gallery, magazine photography

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from: Josobelles Site